在場 Possibility of Presence

概念、編創、演出：陳柏潔
空間設計、燈光設計、影像設計：陳柏潔
影像製作：陳鈺分
聲音設計：林謙信
服裝設計：林俞伶
技術統籌：田子平
技術執行：牧羊人科技藝術— 黃子晏、康兆宗、趙心、陳洪晟、朱薇婷
音響工程 | 巨立音響有限公司
音響工程執行 | 葉佐傳、馬廣駿
製作人：劉怡君
平面視覺設計：小氣分分
平面攝影 | 林峻永
影像紀錄 | 旭昶影像設計工作室
前台協力 | 李彤、鄭詠玹、陳品潔

主辦暨製作單位：藝術報國
共同主辦：臺中市政府文化局
指導單位：文化部
贊助單位：僑聯生化科技有限公司
異業合作：誠品生活480、sunkhronízō

※創作前期發展支持：雲門舞集
※本節目為114年度臺中市傑出演藝團隊計畫演出

Concept, Choreography, Performance: CHEN Po-Chieh
Stage, Lighting, Videography: CHEN Po-Chieh
Videographer, editor: CHEN Yufen
Sound Design: LIN Chien-Hsin
Costume Design: LIN Yu-Ling
Technical Director: TIAN Zi-Ping
Technical Coordination: Shepherd Technology Art- HUANG Tzu-Yen, KANG Chao-Tsung, CHAO Hsin, CHEN Hung-Cheng, CHU Wei-Ting
Sound Engineering | Giant Group Co., Ltd.
Sound Engineer | YEH Tso-Chuan, MA Kuang-Chun
Producer | Eartha LIU
Visual Design | xiao chi fen fen
Photographer | LIN Chun-Yung
Cinematographer | S.H.B Studio
Front of House Assistant | LI Tong, ZHENG Yong-Xuan, CHEN Pin-Chieh

Organizer | Ars Association
Co-organizer | Cultural Affairs Bureau , Taichung City Government
Advising Organization | Ministry of Culture, Taiwan
Sponsor | Chaulien Biotechnology Co., Ltd.
Strategic Collaboration | eslite spectrum 480, sunkhronízō

〉Development Supported by Cloud Gate Dance Theatre of Taiwan
〉This program is part of the 2025 Taichung Outstanding Performing Arts Groups Project.

【演出資訊】
臺中國家歌劇院小劇場
2025年10月9日（四）19:30
2025年10月10日（五）15:00
2025年10月11日（六）15:00
*每場演後將於現場進行演後座談

Performance Dates
Black Box, National Taichung Theater
October 9th, 2025 | 19:30
October 10th, 2025 | 15:00
October 11th, 2025 | 15:00

演出全長約56分鐘
Duration: approximant 56 minutes

陳柏潔2025全新劇場創作《在場》，是一場關於「存在」的實驗旅程。作品從個人經驗出發，解構「在場」的多重意涵，邀請觀眾一同進入流動的感知場域。舞台不再是界線，而是共振的空間——在表演者與觀眾的即時互動中，記憶、情感與自我觀察彼此交織。讓每一次觀看成為一次獨特的生成。這不只是一齣表演，而是一場與他人、與自己共處的片刻，一次關於存在的當下實踐。

–

文/ 陳柏潔

《在場》是一個關於感知與存在的創作。

在經歷不同角色與場域時，我感受到自己不斷在身體與心理之間游移。

有些時刻特別鮮明，彷彿整個人被放大；有些時刻卻像輕輕劃過，難以觸碰。

那些變動與不確定，反而成了我對生命感受最深的痕跡。

於是我讓身體成為容器，讓光、影、物、聲流進來——

透過身體、影像、裝置與舞蹈，拾起散落的片段，

在變動不定的當下，感知自己仍在生成，

如同潮汐，如同夢境，在尚未命名之處，持續發生。

Po-Chieh Chen’s 2025 new theatre creation, Possibility of Presence, is an experimental journey into the notion of existence. Rooted in personal experience, the work deconstructs the multiple meanings of “presence,” inviting audiences into a fluid field of perception. The stage dissolves as a boundary and transforms into a space of resonance—where memory, emotion, and self-observation intertwine through real-time interaction between performer and audience.

Each encounter becomes a unique act of emergence. Possibility of Presence is not merely a performance, but a shared moment of being—with others, and with oneself—an embodied practice of existence in the here and now.

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Written by Po-Chieh CHEN

Possibility of Presence is a creation about perception and existence.

As I move through different roles and spaces, I feel myself constantly shifting between the physical and the psychological.

Some moments stand out vividly, as if my whole being is magnified; others pass by lightly, barely within reach.

These states of flux and uncertainty have left the deepest imprints on my experience of life.

So I allow my body to become a vessel—welcoming light, shadow, objects, and sound to flow in.

Through movement, images, installations, and dance, I gather scattered fragments,

sensing myself continuously becoming amidst ever-shifting moments—

like tides, like dreams, unfolding in places yet to be named.

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